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"I Will" is a song by the English rock band the Beatles, from their 1968 double album The Beatles (also known as "the White Album"). It was written by Paul McCartney (credited to Lennon–McCartney) and features him on lead vocal, guitar, and "vocal bass".
"Any Time at All" is a song by the English rock band the Beatles. Credited to the Lennon–McCartney partnership, it was mainly composed by John Lennon, with an instrumental middle eight by Paul McCartney. [2] It first appeared on the Beatles' A Hard Day's Night album.
In a 1980 interview for Playboy magazine, Lennon described it as "one of my favourite songs of the Beatles". [5] In 2000, Mojo placed "Here, There and Everywhere" at number 4 on its list of the greatest songs of all time. [6] In April 2004, Rolling Stone ranked it 25th out of the "100 Greatest Beatles Songs". [8]
The song was initially composed in C, but was played in F on Rubber Soul (with a capo on the fifth fret). The verse opens with an F major chord ("Michelle" – melody note C) then the second chord (on "ma belle" – melody note D ♭) is a B ♭ 7 ♯ 9 (on the original demo in C, the second chord is a F 7 ♯ 9).
[1] Having included the track in his 2011 list of Harrison's "10 Greatest Beatles Songs", Joe Bosso of MusicRadar commented: "At times the song seems to drift away with Harrison's dreamy verses, but just as quickly it's chopping down trees with explosive percussion and thunderous handclaps. Wild guitar breaks by both Harrison and John Lennon ...
"Yes It Is" is a song by the English rock band the Beatles. Written by John Lennon (credited to Lennon–McCartney ), it was first released in 1965 as the B-side to " Ticket to Ride ". It features some of the Beatles' most complex and dissonant three-part vocal harmonies and showcases George Harrison 's early use of volume pedal guitar.
The unusual chord progression is an example of the Beatles' use of chords for added harmonic expression, [28] a device that Harrison adopted from Lennon's approach to melody. [29] Musicologist Walter Everett describes the composition as "a tour de force of altered scale degrees". He adds that, such is the ambiguity throughout, "its tonal ...
However, the Joyce estate was unwilling to allow direct use of Joyce's words at that time, so she altered the lyrics. By 2011, the Joyce estate was open to licensing his work to her, so she re-worked that song as Flower of the Mountain, using Molly Bloom's soliloquy from Ulysses. [97] [98] [99] "For Whom the Bell Tolls" Ride the Lightning ...
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