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Gamaka (Hindi: गमक / Urdu: گمک) (also spelled gamakam) refer to ornamentation that is used in the performance of North and South Indian classical music. [1] Gamaka can be understood as embellishment done on a note or between two notes. Present-day Carnatic music uses at least fifteen different kinds of ornamentation. [2]
Hindustani (standardized Hindi and standardized Urdu) has been written in several different scripts. Most Hindi texts are written in the Devanagari script, which is derived from the Brāhmī script of Ancient India. Most Urdu texts are written in the Urdu alphabet, which comes from the Persian alphabet. Hindustani has been written in both scripts.
Being the official script for Hindi, Devanagari is officially used in the Union Government of India as well as several Indian states where Hindi is an official language, Bihar, Chhattisgarh, Haryana, Himachal Pradesh, Jharkhand, Madhya Pradesh, Mizoram, Rajasthan, Uttar Pradesh and Uttarakhand, and the Indian union territories of Delhi, Andaman and Nicobar Islands and Dadra and Nagar Haveli ...
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The Times of India uses both Prabhat Samgiita [9] and Prabhat Sangeet. [14] Most other newspapers spell Prabhat Sangeet , though some articles prefer Prabhat Sangit and Prabhata Samgiita. Publications of Ananda Marga usually goes by the spelling Prabháta Saḿgiita and also often by Prabhát Saḿgiita and Prabhát Saḿgiit . [ 15 ]
Similar braille conventions are used for three languages of India and Nepal that in print are written in Devanagari script: Hindi, Marathi, and Nepali. These are part of a family of related braille alphabets known as Bharati Braille. There are apparently some differences between the Nepali braille alphabet of India and that of Nepal.
Sangita Makaranda is an ancient work on classical music written by Narada.This work is a rare collection of definitions, descriptions and comments on all the essential music by other ancient reputed authors from Bharata Muni to Sharangdeva.
Brihaddeshi is a Classical Sanskrit text, dated ca. 6th to 8th century CE, on Indian classical music, attributed to Mataṅga Muni.It is the first text to speak directly of the raga and to distinguish marga ("classical") from desi ("folk") music.