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Leibniz's program of a universal science (scientia universalis) for coordinating all human knowledge into a systematic whole comprises two parts: (1) a universal notation (characteristica universalis) by use of which any item of information whatever can be recorded in a natural and systematic way, and (2) a means of manipulating the knowledge ...
Rees's Cyclopædia, in full The Cyclopædia; or, Universal Dictionary of Arts, Sciences, and Literature, was an important 19th-century British encyclopaedia edited by Rev. Abraham Rees (1743–1825), a Presbyterian minister and scholar who had edited previous editions of Chambers's Cyclopædia.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
These were issued from 1807 to 1816. In the last year the encyclopedia was issued as a 24 volume set, with the last volume being a supplement to the original text. The subtitle was changed to "Universal dictionary of the arts, sciences, literature, &c. intended to supersede the use of other books of reference." [4]
The title page of the first edition summarizes the author’s aims: Cyclopædia: or, An Universal Dictionary of Arts and Sciences; containing the Definitions of the Terms, and Accounts of the Things ſignify'd thereby, in the several Arts, both Liberal and Mechanical, and the ſeveral Sciences, Human and Divine: the Figures, Kinds, Properties, Productions, Preparations, and Uſes, of Things ...
The term characterization was introduced in the 19th century. [3] Aristotle promoted the primacy of plot over characters, that is, a plot-driven narrative, arguing in his Poetics that tragedy "is a representation, not of men, but of action and life."
The first edition cover page. An Essay Towards a Real Character, and a Philosophical Language (London, 1668) is the best-remembered of the numerous works of John Wilkins, in which he expounds a new universal language, meant primarily to facilitate international communication among scholars, but envisioned for use by diplomats, travelers, and merchants as well.
A stock character, also known as a character archetype, is a type of character in a narrative (e.g. a novel, play, television show, or film) whom audiences recognize across many narratives or as part of a storytelling tradition or convention. There is a wide range of stock characters, covering people of various ages, social classes and demeanors.