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The Music Man is a musical with book, music, and lyrics by Meredith Willson, based on a story by Willson and Franklin Lacey.The plot concerns con man Harold Hill, who poses as a boys' band organizer and leader and sells band instruments and uniforms to naïve Midwestern townsfolk, promising to train the members of the new band.
The Music Man is a 1962 American musical film directed and produced by Morton DaCosta, based on Meredith Willson's 1957 Broadway musical of the same name, which DaCosta also directed. Robert Preston reprises the title role from the stage version, starring alongside Shirley Jones, Buddy Hackett, Hermione Gingold, Ronny Howard, and Paul Ford.
Music Man is an American guitar and bass guitar manufacturer. Originally formed in 1971 by Forrest White and Tom Walker, along with Leo Fender as a silent partner , the company started manufacturing electric and bass guitars under the Music Man name in 1974.
"Till There Was You" is a show tune written by Meredith Willson, popularised by his 1957 stage production The Music Man and its 1962 movie musical adaptation, and further ...
"Seventy-Six Trombones" is a show tune and the signature song from the 1957 musical The Music Man, by Meredith Willson, a film of the same name in 1962 and a made-for-TV movie in 2003. The piece is commonly played by marching bands, military bands, and orchestras. [1] [2]
In 1959 at age 12, Hodges became Mississippi's first Grammy Award winner for his contribution to the original Broadway cast album of The Music Man, on which he sang a solo ("The Wells Fargo Wagon") and was credited as lead singer on the song "Gary, Indiana". It was the first year the Grammys were awarded.
"Shipoopi" is a song in the 1957 musical The Music Man by Meredith Willson. [1] The song is sung by the character of Marcellus Washburn, a friend of con man "Professor" Harold Hill. It occurs in act 2 of the play during the dance committee's rehearsal which the town
The Music Man was a hit on Broadway, running for three years and 1,375 performances. Mitch Miller, the director of artists and repertoire for Columbia Records, was a fan of barbershop harmony and signed the quartet to the label. The Bills recorded four albums for Columbia through 1961.
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