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Disco Demolition Night was a Major League Baseball (MLB) promotion on Thursday, July 12, 1979, at Comiskey Park in Chicago, Illinois, that ended in a riot.At the climax of the event, a crate filled with disco records was blown up on the field between games of the twi-night doubleheader between the Chicago White Sox and the Detroit Tigers.
Following Chicago's Disco Demolition Night in mid-1979, disco music's mainstream popularity fell into decline. In the early 1980s, fewer and fewer disco records were being released, but the genre remained popular in some Chicago nightclubs and on at least one radio station, WBMX-FM.
Disco's decline in popularity after Disco Demolition Night was rapid. On July 12, 1979, the top six records on the U.S. music charts were disco songs. [114] By September 22, there were no disco songs in the US Top 10 chart, with the exception of Herb Alpert's instrumental "Rise", a smooth jazz composition with some disco overtones. [114]
This is when 200 radio stations changed to an all-disco format and what spurred Disco Demolition Night. The crushing of disco was aimed at the record companies, but it was the artists who suffered ...
July 12, 1979 -- Disco Demolition Night at Comiskey Park in. ... Disco music and culture, as it was known in the 1970s, was effectively dead a short time later.
Post-disco is a term and genre to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980.
Colorful costumes, endless radio play, and big-money music videos supported the top tunes throughout the '90s. In short, it was a time of musical triumph — and some of the decade’s biggest ...
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [10] It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.
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