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On December 8, 2015, The Criterion Collection released Jellyfish Eyes for Region 1 on DVD and Blu-ray, both of which include a new interview with the film's director Takashi Murakami, two new documentaries about the film's production, a trailer for the cancelled sequel Jellyfish Eyes 2, and an English subtitle translation for the film, along ...
In April 2013, Murakami's first feature film was released in theaters across Japan. Jellyfish Eyes (originally titled "Me me me no kurage) [37]) is a live-action movie featuring CGI characters designed by Murakami called Friend. [38] In 2019, Murakami was working on his own album of original folk songs, inspired by Japanese group Happy End. [39]
Jellyfish-like amorphous alien lifeform [118] [119] Dog Soldiers: 2002 Werewolves [120] [121] Don't Be Afraid of the Dark: 2010 Mysterious small creatures [122] [123] Doom: 2005 Mutants [124] The Dooms Chapel Horror: 2015 Demons, ghoul [125] Dreadtime Stories: 2014 Ghoul [126] Dwellers: 2021 Sewer creature [127] Earth vs. the Spider: 1958 Giant ...
Jellyfish (Hebrew: מדוזות; Meduzot) is a 2007 drama film based on a story by Shira Geffen and directed by Etgar Keret. The film tells the story of three women in Tel Aviv whose intersecting lives paint a pessimistic portrait of Israeli secular life. Batya, a waitress at weddings, comes across a mute child who seemingly emerges from the sea.
One year after her husband mysteriously vanishes from their rural farm, single mother Sara Morse and her children discover a strange, extraterrestrial object underneath their home, which leads them to embark on a race to find their husband, father, and most importantly – the truth.
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The company started producing CG works in 1994 as a new section of TYO Image Enterprise. In 1997 Digital Frontier moved to Daikanyama and became a subsidiary of TYO Corporation then three years later it became corporate company Digital Frontier Inc. as it is known today. Its earlier works are Death Note (live action film) and Appleseed (CG film).
Jellyfish premiered at the 2018 Tribeca Film Festival. [1] The Guardian gave the film three stars out of five, calling it a "striking directorial debut" by Gardner, and "an astonishingly good performance" by Hill, although also highlighted "occasional stumbles – a few too many jabs at gentrification, a couple of misfiring performances, and in places the budget constraints really show."