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The term Grand ballabile is used if nearly all participants (including principal characters) of a particular scene in a full-length work perform a large-scale dance. bar, or measure unit of music containing a number of beats as indicated by a time signature; also the vertical bar enclosing it barbaro
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
This article lists common abbreviations for grammatical terms that are used in linguistic interlinear glossing of oral languages [nb 1] in English. The list provides conventional glosses as established by standard inventories of glossing abbreviations such as the Leipzig Glossing rules, [2] the most widely known standard. Synonymous glosses are ...
This nomenclature doesn't provide a term for more than one voice on the same pitch. A dropped voicing lowers one or more voices by an octave relative to the default state. Dropping the first voice is undefined—a drop-1 voicing would still have all voices in the same octave, simply making a new first voice.
This category is for musical terms and terminology. Subcategories. This category has the following 8 subcategories, out of 8 total. ...
The continued repetition of a note or chord is expressed by a stroke or strokes across the stem, or above or below the note if it be a whole note or double whole note.The number of strokes denotes the subdivision of the written note into eighth notes, sixteenth notes, etc., unless the word tremolo or tremolando is added, in which case the repetition is as rapid as possible, without regard to ...
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In music theory, a predominant chord (also pre-dominant [3]) is any chord which normally resolves to a dominant chord. [3] Examples of predominant chords are the subdominant (IV, iv), supertonic (ii, ii°), Neapolitan sixth and German sixth. [3] Other examples are the secondary dominant (V/V) and secondary leading tone chord.