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The Baptism of Christ is an oil-on-panel painting finished around 1475 in the studio of the Italian Renaissance painter Andrea del Verrocchio and generally ascribed to him and his pupil Leonardo da Vinci. Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well.
The original triptych frame may have included a roundel above the dove showing God the Father, which with Christ and the dove representing the Holy Spirit would complete the Holy Trinity. The figure of Christ, John's hand and the bowl, and the bird, form an axis which divides the painting in two symmetrical parts. A second division is created ...
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty , and also many types of portrait or devotional subjects without a narrative ...
Baptism of Christ is a 1567-1569 painting by El Greco. It is now in the Historical Museum of Crete in Heraklion. [2] The painting closely resembles El Greco's The Baptism of Christ panel of his Modena Triptych (1568). [1]
Pages in category "Paintings of the Baptism of Christ" The following 24 pages are in this category, out of 24 total. This list may not reflect recent changes. B.
The baptism was in fact considered by Augustine and other early Christian writers as a kind of "spiritual circumcision". The scene follows a symmetrical pattern, typical of Perugino. In the center is the Jordan River flowing towards the observer and reaching the feet of Jesus and John , who is baptizing the former.
Baptism of Christ is a 1608–1614 painting by El Greco, made towards the end of his life in Toledo and completed by his son Jorge Manuel Theotocópuli. It is now in the Hospital de Tavera in Toledo .
In the composition, in addition to the depiction of Baptism, there is a reference to the mystery of the Trinity: the Father, the dove, symbol of the Holy Spirit, and Jesus, the Son, are aligned on the middle axis of the painting. The Trinitarian allusion is echoed by the gesture of the onlooker's hand on the left (in a red coat) indicating the ...