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"Honesty" was solely written by Billy Joel while production was handled by Phil Ramone. [2] It is the second song from his sixth studio album 52nd Street (1978). [2] David Spinozza plays the acoustic guitar in the song, Liberty DeVitto plays the drums and Robert Freedman the horn and string orchestration.
"The Longest Time" is a doo-wop song by Billy Joel, released in 1984 as the fourth single from the 1983 album An Innocent Man. Following the theme of the album in paying tribute to Joel's musical influences, the song is presented in the style of Frankie Lymon and the Teenagers.
1 Lyrics and music. 2 Reception. ... "Honesty" (1979) "Big Shot" is a song performed by Billy Joel from his 1978 album 52nd Street as its opening track, released as a ...
"Uptown Girl" is a song written and performed by American musician Billy Joel from his ninth studio album An Innocent Man (1983), released in September 1983 as the album's second single. The lyrics describe a working-class "downtown man" attempting to woo a weal
Billy Joel has announced the forthcoming release of his first single in decades, “Turn the Lights Back On”.. The Grammy-winning musician, 74, will release the song on Thursday 1 February to ...
"Allentown" is a song by American singer Billy Joel and the lead track on Joel's 1982 album The Nylon Curtain. Released as the album's second single, it was accompanied by a conceptual music video . Upon its release, and especially in subsequent years, "Allentown" emerged as an anthem of blue-collar America, representing both the aspirations ...
"An Innocent Man" is a 1983 song performed by Billy Joel released as the third single from his album of the same name. The song, whose musical style is an homage to Ben E. King and the Drifters, reached No. 10 on the Billboard Hot 100 chart, the third consecutive top 10 single from the album. [5]
A demo, included in the box set My Lives, is a slower, reggae version of the song. Joel reprised the song's motif in this version with a church organ. Joel has stated publicly that he changed the reggae beat to a shuffle beat at the request of his long time drummer, Liberty DeVitto, who hated reggae music. [5] [10]