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Instruments classified by Hornbostel–Sachs as struck or friction idiophones, struck or friction membranophones or struck chordophones. Where an instrument meets this definition but is often or traditionally excluded from the term percussion this is noted. Instruments commonly used as unpitched and/or untuned percussion.
Percussion instruments may play not only rhythm, but also melody and harmony. [citation needed]Percussion is commonly referred to as "the backbone" or "the heartbeat" of a musical ensemble, often working in close collaboration with bass instruments, when present.
This is a list of musical instruments, including percussion, wind, stringed, and electronic instruments. Percussion instruments (idiophones, membranophones, struck chordophones) [ edit ]
Jazz often features a prominent rhythm section, typically consisting of at least drums and bass, and sometimes a comping instrument such as piano or guitar.. A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band.
The name is a slight misnomer, in that almost every percussion instrument is played with some type of mallet or stick. With the exception of the marimba, almost every other keyboard instrument has been used widely in an orchestral setting. There are many extremely common and well-known excerpts for most of the mallet instruments.
This is a partitioned list of percussion instruments showing their usage as tuned or untuned. See pitched percussion instrument for discussion of the differences between tuned and untuned percussion. The term pitched percussion is now preferred to the traditional term tuned percussion:
The bones, also known as rhythm bones, are a folk instrument that, in their original form, consists of a pair of animal bones, but may also be played on pieces of wood or similar material. Sections of large rib bones and lower leg bones are the most commonly used bones, although wooden sticks shaped like true bones are now more often used.
Mozart's Piano Sonata, K 545 opening. The right hand plays the melody, which is in the top stave. The left hand plays the accompaniment part, which is in the lower stave. In the first bar of the accompaniment part, the pianist plays a C Major chord in the left hand; this chord is arpeggiated (i.e., a chord in which the notes are played one after the other, rather than simultaneousl
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