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Rebab (Arabic: ربابة, rabāba, variously spelled rebap, rubob, rebeb, rababa, rabeba, robab, rubab, rebob, etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Middle East, Central Asia, Southeast Asia, and parts of Europe. [1]
Celempungan is a Sundanese musical genre that includes several musical instruments such as kacapi, kendang, goong/gong, and suling or rebab (optional), and Juru Kawih (singer). Kendang, the drum, controls the tempo of the ensemble and reinforces the meter.
Ronggeng (Javanese: ꦫꦺꦴꦁꦒꦺꦁ, romanized: ronggèng) is a type of Javanese dance in which couples exchange poetic verses as they dance to the music of a rebab or violin and a gong. Ronggeng originated in Java, Indonesia. [1] [2]
The instrument and its variants spread throughout West, Central, South and Southeast Asia. [4] The Kabuli rebab from Afghanistan [1] derives its name from the Arabic rebab and is played with a bow while in Central Asia and the Indian subcontinent, the instrument is plucked and is distinctly different in construction. [3]
Indonesia portal; Subcategories. This category has only the following subcategory. ... Gamelan instruments (3 C, 21 P, 1 F) Pages in category "Indonesian musical ...
There are many regions in Indonesia that use suling as a traditional instrument and have different local names for it. In Java , Sunda , and Bali , this instrument is commonly called suling, in Minang it is called saluang , in Toraja, it is called Lembang flute, in Halmahera, it is called bangsil, and in West Nusa Tenggara it is called silu.
Gambang kromong orchestral instruments consists of: gambang kayu (a xylophone-like instrument), kromong (a set of 5 toned bonang), two Chinese rebab-like instruments called ohyan and gihyan with its resonator made out of a small coconut shell, a diatonic pitched flute that is blown crosswise, kenong and gendang drums. Western instruments such ...
The cengkok repertoire for gendèr are more developed and specific than those for most other elaborating instruments. Similarly, the gendèr barung is likely to give cues for changing parts or irama, especially in the absence of a rebab, which usually leads the ensemble. [4] It may also play the buka of a piece.