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Specific black-and-white photographs. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles.
Scroll down to Finding a Patten of John Gough for good photos of a circle-type patten, and good text on Early Modern pattens; Several examples of 18th-century women's pattens; Pattens from Manchester Art Gallery; Website of The Worshipful Company of Pattenmakers, history page "Pitter Patter of Pattens". www.shoesbyrobert.com. Shoes by Robert
Roman art from the Augustan period shows idealized women as substantial and fleshy, with a full abdomen and breasts that are rounded, [170] not pendulous. [171] Prostitutes depicted in Roman erotic art have fleshy bodies and wide hips, and often have their breasts covered by a strophium (a sort of strapless bra) even when otherwise nude and ...
Like all Roman footwear, the caliga was flat-soled. It was laced up the center of the foot and onto the top of the ankle. The Spanish scholar Isidore of Seville believed that the name "caliga" derived from the Latin callus ("hard leather"), or else from the fact that the boot was laced or tied on (ligere). Strapwork styles varied from maker to ...
Since women in Ancient Rome were traditionally expected to stay inside and out of the sun, they were usually quite pale; whereas men were expected to go outside and work in the sun, so they were usually deeply tanned. [16] Separately, people with very dark skin and tightly-curled hair were often depicted in art. [5]
The earliest known shoes are sagebrush bark sandals dating from approximately 7000 or 8000 BC, found in the Fort Rock Cave in the US state of Oregon in 1938. [5] The world's oldest leather shoe, made from a single piece of cowhide laced with a leather cord along seams at the front and back, was found in the Areni-1 cave complex in Armenia in 2008 and is believed to date to 3500 BC.
Roman fresco from the Tomb of Esquilino, c. 300-280 B.C. As with the other arts, the art of painting in Ancient Rome was indebted to its Greek antecedents. In archaic times, when Rome was still under Etruscan influence, they shared a linear style learned from the Ionian Greeks of the Archaic period, showing scenes from Greek mythology, daily life, funeral games, banquet scenes with musicians ...
Roman mosaic was a minor art, though often on a very large scale, until the very end of the period, when late-4th-century Christians began to use it for large religious images on walls in their new large churches; in earlier Roman art mosaic was mainly used for floors, curved ceilings, and inside and outside walls that were going to get wet.