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First page of Dodsley's illustrated edition of Gray's Elegy with illustration by Richard Bentley. Elegy Written in a Country Churchyard is a poem by Thomas Gray, completed in 1750 and first published in 1751. [1] The poem's origins are unknown, but it was partly inspired by Gray's thoughts following the death of the poet Richard West in 1742.
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The "Graveyard Poets", also termed "Churchyard Poets", [1] were a number of pre-Romantic poets of the 18th century characterised by their gloomy meditations on mortality, "skulls and coffins, epitaphs and worms" [2] elicited by the presence of the graveyard. Moving beyond the elegy lamenting a single death, their purpose was rarely sensationalist.
He is widely known for his Elegy Written in a Country Churchyard, published in 1751. [1] Gray was a self-critical writer who published only 13 poems in his lifetime, despite being very popular. He was even offered the position of Poet Laureate in 1757 after the death of Colley Cibber, though he declined. [2]
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In December 1802, the 19-year-old Zhukovsky published a free translation of Thomas Gray's "Elegy Written in a Country Churchyard" in Karamzin's journal. The translation was the first sustained example of his trademark sentimental-melancholy style, which at the time was strikingly original in Russian.
Thomas Gray was a regular visitor to Stoke Poges, which was home to his mother and an aunt, [75] and the churchyard at St Giles is reputed to have been the inspiration for his Elegy Written in a Country Churchyard, though this is not universally accepted. [76]
It depicts St Paul and St John the Evangelist. The 1904 window is in the North Aisle West and is dedicated to 7 Officers who died in the South African War, 1901 to 1903. It depicts St Michael and St George. This is the church where Thomas Gray reputedly sat and wrote his ' elegy in a country churchyard'. [4] [5] [6] St George Foxley, Wiltshire ...