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"Memphis Soul Stew" is a song by American saxophonist and bandleader King Curtis (1934–1971). The track is a narrative that describes the Memphis Soul sound in terms of a cooking recipe, with each instrument introduced by Curtis. This includes "fatback drums", "a pinch of organ" and "a half-pint of horns".
The Memphis Horns 25. "Them Changes" King Curtis 26. "Whole Lotta Love" King Curtis 27. "A Whiter Shade of Pale" King Curtis 28. "I Stand Accused" King Curtis 29. "Soul Serenade" King Curtis 30. "Memphis Soul Stew" King Curtis 31. "Respect" Aretha Franklin 32. "Call Me" Aretha Franklin 33. "Love the One You're With" Aretha Franklin 34.
In 1965 he moved to Atlantic Records and recorded his most successful singles, "Memphis Soul Stew" and "Ode to Billie Joe" (1967). In 1966 Curtis recorded 3 songs with Jimi Hendrix, "Linda Lou", "Baby How About You" and "I Can't Take It". Unissued, the tapes were later destroyed in a fire at Atlantic's master tape library.
The recording was made at the Fillmore West concert hall, the storied rock venue in San Francisco, over three nights: March 5, 6 and 7 in 1971.The album opens with Franklin's best-known song, her version of Otis Redding's "Respect".
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
In the late 1960s and early 1970s Cogbill worked as a record producer at American Sound Studio in Memphis [1] and was part of the studio's house rhythm section, known as the Memphis Boys. [ 2 ] One of the best-known recordings featuring his bassline was Dusty Springfield 's 1969 hit " Son of a Preacher Man ", produced by Jerry Wexler and Tom ...
Documentary series "STAX: Soulsville U.S.A.," about the iconic Memphis label, is a story of groundbreaking music, hard truths and unhappy endings.
Memphis soul, also known as the Memphis sound, is the most prominent strain of Southern soul. It is a shimmering, sultry style produced in the 1960s and 1970s at Stax Records and Hi Records in Memphis, Tennessee , featuring melodic unison horn lines, organ, guitar, bass, and a driving beat on the drums.
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