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The Adoration of the Magi is a painting of 1633–34 by the Flemish Baroque artist Peter Paul Rubens, made as an altarpiece for a convent in Louvain. It is now in King's College Chapel, Cambridge, in England. It measures 4.2 m × 3.2 m (13 ft 9 in × 10 ft 6 in).
The Miracles of St. Francis Xavier is a large altarpiece painted by Peter Paul Rubens in 1617 or 1618. It was originally commissioned by the Jesuits in Antwerp for their church, now known as the St. Charles Borromeo Church.
The Ildefonso Altarpiece is a triptych painting by Peter Paul Rubens, dating to between 1630 and 1631. It is now in the Kunsthistorisches Museum , in Vienna . It is named after the central panel, which shows Saint Ildefonsus 's vision of the Virgin Mary , in which she gave him a casula .
The painting was taken to Paris in 1794, along with Peter Paul Rubens's The Descent from the Cross, to Paris. [9] The paintings were returned to Antwerp at the end of the Napoleonic Wars in 1815, but since the Catholic Church of St. Walburga had been destroyed, they were placed in the Cathedral of Our Lady in Antwerp instead.
Rubens submitted models to the clergy on 16 February 1611. In September 1626, 15 years later, he completed the piece. There is a smaller studio version, with some differences, in the National Gallery of Art, Washington, D.C. Another version hangs on the right side altar of the castle church St. Peter and Paul in Kirchheim in Schwaben, Germany.
Peter Paul Rubens painted the Adoration of the Magi (Matthew 2:1ff) more often than any other episode from the life of Christ. [1] The subject offered the Counter-Reformation artist the chance to depict the richest worldly panoply, rich textiles, exotic turbans and other incidents, with a range of human types caught up in a dramatic action that expressed the humbling of the world before the ...
The Great Last Judgement (1614-1617) by Rubens. The canvas measures 6.08 × 4.63 metres. The Great Last Judgement is an oil on canvas altarpiece, painted by the Flemish artist Peter Paul Rubens between 1614 and 1617. He created the composition and final touches and his is the only signature on the work, though it is believed between nine and ...
The Saint Stephen Triptych is a 1616–1617 oil on panel painting by Peter Paul Rubens, produced as the high altarpiece for Saint-Amand Abbey, a Benedictine house near Valenciennes. It was seized during the French Revolution and is now in the Musée des Beaux Arts de Valenciennes.
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