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Bacchus, Venus and Ariadne is an oil painting executed in Venice in 1576–77 by the Italian painter Jacopo Tintoretto which hangs in the Sala dell'Anticollegio at the Doge's Palace (the Pallazzo Ducale) in Venice.
Bacchus and Ariadne (1522–1523) [1] is an oil painting by Titian.It is one of a cycle of paintings on mythological subjects produced for Alfonso I d'Este, Duke of Ferrara, for the Camerino d'Alabastro – a private room in his palazzo in Ferrara decorated with paintings based on classical texts.
Category: Paintings of Venus. 20 languages. ... Bacchus, Venus and Ariadne (Tintoretto) Bacchus, Venus and Cupid; The Bathing Pool; The Battle Between Love and Chastity;
The Triumph of Bacchus and Ariadne. Prominently displayed in the center panel, the Triumph of Bacchus and Ariadne depicts a both riotous and classically restrained procession which ferries Bacchus and Ariadne to their lovers' bed. Here, the underlying myth is that Bacchus, the god of wine, had gained the love of the abandoned princess, Ariadne.
The following is a list of paintings by the Italian artist Tintoretto, arranged chronologically ... Ariadne, Venus and Bacchus, 146 × 167 cm; Minerva Driving out ...
Titian paintings on display in the Museo del Prado (from left to right: Danaë and the Shower of Gold, The Worship of Venus, The Bacchanal of the Andrians, and Venus and Adonis) This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left ...
Artist Geremia Discanno sketched the painting before it was removed to the museum in Naples. Two other panel paintings, one of Mars and Venus (at o) with three erotes playing with the weapons of Mars and one erote with the toiletry-objects of Venus, and a painting of Theseus and Ariadne, the most popular subject in Pompeian painting, were left ...
The painting was made by Titian for the Sala dei Baccanali in the Camerini d'alabastro for Alfonso I d'Este, after The Worship of Venus (1518–1519) and Bacchus and Ariadne (1520–1523) and Titian's intervention on The Feast of the Gods by Bellini in 1524–1525 where he retouched the landscape to match the style of the other paintings.
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