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Antonio Vivarini (Antonio of Murano) (active c. 1440 – 1480) was an Italian painter of the early Renaissance-late Gothic period, who worked mostly in the Republic of Venice. He is probably the earliest of a family of painters, which was descended from a family of glassworkers active in Murano .
Vivarini is the surname of a family of painters from Murano , who produced a great quantity of work in Venice and its neighborhood in the 15th century, leading on to that phase of the school which is represented by Carpaccio and the Bellini family.
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
This image has been assessed under the valued image criteria and is considered the most valued image on Commons within the scope: Left nave of Santi Giovanni e Paolo (Venice) – Triptych of St. Zanipolo: Sts Dominic, Augustin, and Lawrence by Bartolomeo Vivarini.
Madonna and Child, tempera and gold on panel painting by Bartolomeo Vivarini, c. 1475, Honolulu Museum of Art. Bartolomeo or Bartolommeo Vivarini (c. 1432 – c. 1499) was an Italian Renaissance painter, known to have worked from 1450 to 1499.
Giorgione (c. 1477/8–1510), painter, with Titian founded the Venetian school of Renaissance Painting Giovanni d'Alemagna (c. 1411–1450), German painter who worked in Venice Guglielmo dei Grigi (c. 1485–1550), architect and sculptor, designed the Palazzo dei Camerlenghi
Alvise Vivarini: Retable of the Pentecost (Bode-Museum, Berlin) Alvise or Luigi Vivarini (1442/1453–1503/1505) was an Italian painter, the leading Venetian artist before Giovanni Bellini. Like Bellini, he was part of a dynasty of painters. His father was Antonio Vivarini and his uncle, with whom he may have trained, was Bartolomeo Vivarini.
Antonio Ovetari was a Padua notary who, at his death, left a large sum for the decoration of the family chapel in the Church of the Eremitani.The project was carried out by his widow, Imperatrice Ovetari, who, in 1448, commissioned the work to a group of artists, which included the elder Giovanni d'Alemagna, Antonio Vivarini (a Venetian late Gothic painter) and two young Paduans, Niccolò ...
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