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Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. [2] It initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques.
The William H. Thomas Gallery, affectionately known as "The Gallery in the Hood," is one of the oldest, continuously operated, black-owned, independent art galleries in the United States. It is located in Olde Towne East , Columbus, Ohio .
Columbus Museum of Art at The Pizzuti is a museum for contemporary art in Columbus, Ohio, United States. It has been part of the Columbus Museum of Art since September 2018. The three-story gallery is located in the Short North and Victorian Village neighborhoods, on the eastern edge of Goodale Park. Its exhibits rotate, featuring artists from ...
The Cambrai Madonna, also called the Notre-Dame de Grâce, produced around 1340, is a small Italo-Byzantine, possibly Sienese, [1] replica of an Eleusa (Virgin of Tenderness) icon. The work on which it is based is believed to have originated in Tuscany c. 1300 , and influenced a wide number of paintings from the following century as well as ...
The crowd of saints depicted with the Virgin is a Byzantine artistic tradition, used to indicate an assemblage of witnesses. [11] As such, Lorenzetti's art could be seen as a transition between Byzantine and Renaissance styles of art. Lorenzetti's interest in classical antiquity can be seen in Maestà, particularly in the depiction of Charity. [11]
Simone Martini, Annunciation with St. Margaret and St. Ansanus, 1333. The Sienese school of painting flourished in Siena, Italy, between the 13th and 15th centuries.Its most important artists include Duccio, whose work shows Byzantine influence, his pupil Simone Martini, the brothers Pietro and Ambrogio Lorenzetti and Domenico and Taddeo di Bartolo, Sassetta, and Matteo di Giovanni.
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