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Normally given wings in art, angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awe-inspiring or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are wheels) and cherubim (which have mosaic features ...
The Fall of the Rebel Angels; The Fallen Angel (painting) Feast of the Rosary; Female Martyr with Two Angels; Fiesole Altarpiece; The Flight into Egypt (Poussin) The Flower Book (Edward Burne-Jones) The Fountain of Life (painting) The Four and Twenty Elders Casting their Crowns before the Divine Throne; Fragments of a Cope with the Seven ...
A Christmas decoration is any of several types of ornamentation used at Christmas and the greater Christmas and holiday season. The traditional colors of Christmas are pine green , snow white, and heart red. Gold and silver are also prevalent, as are other metallic colours. Typical images on Christmas decorations include Baby Jesus, Mother Mary ...
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Neapolitan presepio at the Carnegie Museum of Art in Pittsburgh Detail of an elaborate Neapolitan presepio in Rome. In the Christian tradition, a nativity scene (also known as a manger scene, crib, crèche (/ k r ɛ ʃ / or / k r eɪ ʃ /), or in Italian presepio or presepe, or Bethlehem) is the special exhibition, particularly during the Christmas season, of art objects representing the birth ...
The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child.
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Titian, The Archangel Raphael and Tobias (c. 1512−1514). Tobias and the Angel is the traditional title of depictions in art of a passage from the Book of Tobit in which Tobias, son of Tobit, travels with the Archangel Raphael without realising he is an angel (5.5–6) and is then instructed by Raphael what to do with a giant fish he catches (6.2–9).