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What follows is an overview of the main characters in William Shakespeare's Hamlet, followed by a list and summary of the minor characters from the play. [1] Three different early versions of the play survive: known as the First Quarto ("Q1"), Second Quarto ("Q2"), and First Folio ("F1"), each has lines—and even scenes—missing in the others, and some character names vary.
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
Prince Hamlet is the central character of Hamlet. He is a prince of Denmark, called on to avenge his father's (Old Hamlet's) murder by Claudius. Prince Henry appears towards the end of King John, as successor to the title character. Prince John of Lancaster , the younger brother of Hal in Henry IV, Part 1, Henry IV, Part 2, and Henry V.
Freud points out that Hamlet is an exception in that psychopathic characters are usually ineffective in stage plays; they "become as useless for the stage as they are for life itself", because they do not inspire insight or empathy, unless the audience is familiar with the character's inner conflict. Freud says, "It is thus the task of the ...
Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
[265] Commenting on "the character of Hamlet", he in effect joins a discussion among his contemporaries, adding to the mix of similar assessments by Goethe, [266] Schlegel, [267] and Coleridge [268] his observation that Hamlet "is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment." [80]
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Finally, the old king's son Malcolm besieges Macbeth's castle, and Macduff slays Macbeth in armed combat. Othello: 1602–1604 [12] (c. 1603) First published in 1622 in quarto format by Thomas Walkley. Included in the First Folio the following year. Probably first performed for King James I at the Whitehall Palace on 1 November 1604. [12] Summary