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With this passage in mind, he picked up his guitar and, as he sang, the words to the song flowed out, but he was not satisfied with the chorus and felt that it did not flow well with the song. For several months, he struggled with the chorus and even put the song aside for about six months before finally finishing it. [3]
"Always" is a song by American contemporary Christian musicians Chris Tomlin. It was released on March 29, 2022, [ 1 ] as the lead single from Tomlin's fourteenth studio album, Always (2022). [ 2 ] Tomlin co-wrote the song with Ben Glover , Daniel Carson, Jeff Sojka, and Jess Cates. [ 3 ]
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
"Firm Foundation (He Won't)" is a song by American Contemporary Christian musician and worship leader Cody Carnes. The song was released on December 10, 2021, as a single. [1] Carnes co-wrote the song with Chandler Moore and Austin Davis. [2] Austin Davis produced the single. "Firm Foundation (He Won't)" peaked at No. 14 on the US Hot Christian ...
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
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"Holy Forever" is a song by American contemporary Christian musician Chris Tomlin. It impacted Christian radio in the United States on March 10, 2023, as the fourth single from Tomlin's fourteenth studio album, Always (2022). [ 1 ]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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