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Di Bawah Lindungan Ka'bah, or its English translation Under the Protection of Ka'Bah, may refer to: Di Bawah Lindungan Ka'bah (novel) , a novel by Hamka Di Bawah Lindungan Ka'bah (film) , a 2011 Indonesian film
In summary, he wrote that although the film was not necessarily bad, the city of Padang was "the only solid character". [2] Ekky Imanjaya, writing for Detik.com, wrote that the product placement was overdone and that the lead Hamid seemed weak, instead of the intended patient; he summarized by saying that Di Bawah Lindungan Ka'bah , like ...
The Crown Jewel of Indonesia: Di balik pelukan laki laki: ... Di Bawah Langit: Drama: Di Dasar Segalanya: ... Most watched film in Indonesia with 9,233,847 viewer
The film was a critical success, earning two Citra Awards out of six nominations at the 1977 Indonesian Film Festival. [12] The second adaptation, released in 2011 as Di Bawah Lindungan Ka'bah, was directed by Hanny R. Saputra and starred Herjunot Ali as Hamid and Laudya Cynthia Bella as Zainab. This adaptation focused on the love story.
The Sun (Russian: Сóлнце, Solntse) is a 2005 Russian biographical film directed by Alexander Sokurov, depicting Japanese Emperor Shōwa during the final days of World War II. It is the third film in a trilogy by the Russian director, that includes Taurus , about Vladimir Lenin , and Moloch , about Adolf Hitler . [ 1 ]
These artists also vowed never to perform at Sun City, because to do so would in their minds seem to be an acceptance of apartheid. Schechter had also taken on the job of documenting the sessions on video and producing a behind-the-scenes documentary, working with 16mm film crews and independent production companies.
A Place in the Sun is a 1951 American tragedy film based on the 1925 novel An American Tragedy by Theodore Dreiser and the 1926 play, also titled An American Tragedy.It tells the story of a working-class young man who is entangled with two women: one who works in his wealthy uncle's factory, and the other a beautiful socialite.
The film is set in the early 1970s in Beijing, during the Cultural Revolution.It is told from the perspective of Ma Xiaojun, a teenage boy nicknamed "Monkey" (played by Xia Yu, some of Monkey's experiences mimic director Jiang's during the Revolution), [2] Monkey and his friends are free to roam the streets of Beijing day and night because the local school system is non-functional and the ...