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Christ Bearing the Cross is a painting in tempera attributed to the Greek painter Nikolaos Tzafouris. Tzafouris is considered one of the founding members of the Cretan School along with Andreas Ritzos, Andreas Pavias, and Angelos Akotantos. He was influenced by Angelos Akotantos.
icon Christ Bearing the Cross by Nikolaos Tzafouris, Metropolitan Museum of Art, New York City. He painted a new style Madonna called Madre della Consolazione which was considered the Italian style and was the standard for the next hundred years. He also emulated Bellini's Pieta which was also heavily copied. [3] [4]
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Nicholas Ritzos (Greek: Νικολάου Ρίτζου, 1440 – 1507) also known as Rizo and Ricio). He was a Greek Renaissance painter. He was a Greek Renaissance painter. His father was famous painter Andreas Ritzos .
Madre della Consolazione is a tempera painting created by Greek painter Nikolaos Tzafouris. Tzafouris was active during the second half of the 15th century. He was a prominent member of the Cretan School. He was influenced by Angelos Akotantos. The painter was exposed to works of Giovanni Bellini. At some point, he traveled to Venice and ...
Pages in category "Paintings of Christ carrying the cross" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes .
His father Nicholas Ritzo was a seaman and jeweler, and his mother was lady Ergina. Andreas married Maria and had two sons. His son Nicholas was a painter. His other son Thomas was a jeweler and painter. His grandson was painter Maneas Ritzos. Andreas is listed as a painter for the first time on July 27, 1451 as Andreas Ritzos pinctor.
The Louvre panel (Christ Bearing the Cross) was bought from a man named L. Saint-Denis in 1834. [2] The Berlin panel (the Entombment ) was bought from the Paris art dealer Émile Pacully in 1904. Originally it had the same golden background as the other panels, but this was painted over in red, probably in the middle of the 15th century.