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Aeschylus' popularity is evident in the praise that the comic playwright Aristophanes gives him in The Frogs, produced some 50 years after Aeschylus' death. Aeschylus appears as a character in the play and claims, at line 1022, that his Seven against Thebes "made everyone watching it to love being warlike". [50]
A small number of verses from these three of Aeschylus' lost works have been saved: fifty-four from Myrmidons, seven from Nereids and twenty-one from Phrygians. A sense of the pace at which additions to this corpus are made can be gleaned from the fact that a papyrus fragment containing seven letters on three lines that could be fitted over a two-line quote from Justin Martyr's dialogue Trypho ...
Aeschylus Sophocles Euripides Ancient Greek tragedies were most often based upon myths from the oral traditions, exploring human nature, fate, and the intervention of the gods. They evoke catharsis in the audience, a process through which the audience experiences pity and fear, and through that emotional engagement, purges these emotions.
The Kabeiroi (ancient Greek Κάβειροι, Kabeiroi), also known as Cabeiroi and Cabeiri, is an ancient Greek tragedy by Aeschylus which survives in three fragments. It was written between 499 and 456BC, [1] and appears to have featured Jason and the Argonauts arriving on the island of Lemnos and being initiated into the mystery cult of the Kabeiroi.
Philoctetes (Ancient Greek: Φιλοκτήτης) is a play by the Athenian poet Aeschylus. It was probably first produced during the 470s BCE. It is now lost except for a few fragments. Most of what we know of the plot is from the writings of 1st century orator Dio Chrysostom, who compared the Philoctetes plays of Aeschylus, Euripides and ...
The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies (also called Erinyes or Eumenides).
The Lycurgeia (Ancient Greek: Λυκούργεια, Lykoúrgeia) is a lost tetralogy by the Athenian dramatist Aeschylus that concerned Thracian Lycurgus' conflict with Dionysus and its aftermath. The four plays that made up the Lycurgeia survive only in fragments quoted by ancient authors, and the reconstruction of much of their content is a ...
A fragment translated into Latin by the Roman statesman Cicero demonstrates that the chorus of this play is constituted by a group of Titans, recently freed from Tartarus by Zeus despite their defeat in the Titanomachy. This perhaps foreshadows Zeus' eventual reconciliation with Prometheus in the trilogy's third installment.