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A long gown with a train has fur at the cuffs and neckline and is worn with a wide belt, c. 1460. An attendant in the same illustration wears a red hood with a long liripipe. Her blue dress is "kirtled" or shortened by poufing it over a belt, c. 1460. Woman wears a simple headdress of draped linen and a red houppelande trimmed with white fur ...
In 1548 her mother, Mary of Guise, asked her envoy Henri Cleutin to buy cloth of gold for a gown for her, from René Tardif and Robert Fichepain, merchants of the "argenterie" who served the French court. [6] In January 1537, Tardif and Fichepain had supplied fabrics to James V for his wedding to Madeleine of Valois. [7]
Italian fashion of this period features broad bands of embroidered or woven trim on the dress and around the sleeves. [31] Siena, c. 1340. A bride wears a long fur-lined gown with hanging sleeves over a tight-sleeved kirtle, with a veil. Her gown is trimmed with embroidery or (more likely) braid.
From formal black tie and cocktail dresses to pantsuits and jumpsuits, we've rounded up 20 of our absolute favorite mother-of-the-bride outfit ideas at Nordstrom — the ultimate destination for ...
The high-waisted gown of the late medieval period evolved in several directions in different parts of Europe. In the German states and Bohemia, gowns remained short-waisted, tight-laced but without corsets or stays. The open-fronted gown laced over the kirtle or a stomacher or plackard. Sleeves were puffed and slashed, or elaborately cuffed.
Gowns were made in a variety of styles: Loose or fitted (called in England a French gown); with short half sleeves or long sleeves; and floor length (a round gown) or with a trailing train. [20] [21] The gown was worn over a kirtle or petticoat (or both, for warmth). Prior to 1545, the kirtle consisted of a fitted one-piece garment. [22]
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