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Anatomy of a Devanagari typeface. Typeface anatomy describes the graphic elements that make up letters in a typeface. [1] [2] Typefaces are born from the struggle between rules and results. Squeezing a square about 1% helps it look more like a square; to appear the same height as a square, a circle must be measurably taller. The two strokes in ...
It is the art of a type designer to develop a pleasing and functional typeface. In contrast, it is the task of the typographer (or typesetter) to lay out a page using a typeface that is appropriate to the work to be printed or displayed. Type designers use the basic concepts of strokes, counter, body, and structural groups when designing typefaces.
Diagram of a cast metal sort.a face, b body or shank, c point size, 1 shoulder, 2 nick, 3 groove, 4 foot.. In professional typography, [a] the term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size.
Beyond Anatomy of a Typeface Lawson has considered and discussed the classification of types. Within Anatomy, Lawson arranges the typefaces by classification. In his preface, Lawson qualifies his classification: "After using this system in the teaching of typography over a thirty-year period, I know that it is reasonably effective in the ...
The OpenType format defines a number of typographic features that a particular font may support. Some software, such as Adobe InDesign , LibreOffice / OpenOffice , or recent versions of Lua / XeTeX , gives users control of these features, for example to enable fancy stylistic capital letters (swash caps) or to choose between ranging (full ...
Storey refers to the number of open or closed stacked counters, especially in the context of the letters a and g and their typographic variants.. The lowercase 'g' has two typographic variants: the single-storey form (with a hook tail) has one closed counter and one open counter (and hence one aperture); the double-storey form (with a loop tail) has two closed counters.
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Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity.The explanation proposed by Father Edward Catich in his 1968 book The Origin of the Serif is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush ...
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