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  2. Kinetic art - Wikipedia

    en.wikipedia.org/wiki/Kinetic_art

    Kinetic art is art from any medium that contains movement perceivable by the viewer or that depends on motion for its effects. Canvas paintings that extend the viewer's perspective of the artwork and incorporate multidimensional movement are the earliest examples of kinetic art. [ 1 ]

  3. Mobile (sculpture) - Wikipedia

    en.wikipedia.org/wiki/Mobile_(sculpture)

    The meaning of the term "mobile" as applied to sculpture has evolved since it was first suggested by Marcel Duchamp in 1931 to describe the early, mechanized creations of Alexander Calder. [5] At this point, "mobile" was synonymous with the term "kinetic art", describing sculptural works in which motion is a defining property.

  4. Lumino kinetic art - Wikipedia

    en.wikipedia.org/wiki/Lumino_kinetic_art

    Artist/engineer Frank Malina came up with the Lumidyne system of lighting (CITE), and his work Tableaux mobiles (moving paintings) is an example of Lumino Kinetic art of that period. [4] Later, artist Nino Calos worked with the term Lumino-kinetic paintings. [citation needed] Artist György Kepes was also experimenting with lumino-kinetic works ...

  5. Category:Kinetic sculptures - Wikipedia

    en.wikipedia.org/wiki/Category:Kinetic_sculptures

    Kinetic sculptures in the Czech Republic (3 P) U. Kinetic sculptures in the United States (26 P) Pages in category "Kinetic sculptures" The following 14 pages are in ...

  6. Category:Kinetic sculptures in the United States - Wikipedia

    en.wikipedia.org/wiki/Category:Kinetic...

    Pages in category "Kinetic sculptures in the United States" The following 26 pages are in this category, out of 26 total. This list may not reflect recent changes. A.

  7. Alexander Calder - Wikipedia

    en.wikipedia.org/wiki/Alexander_Calder

    Alexander "Sandy" Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]

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