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At this point, "mobile" was synonymous with the term "kinetic art", describing sculptural works in which motion is a defining property. While motor or crank-driven moving sculptures may have initially prompted it, the word "mobile" later came to refer more specifically to Calder's free-moving creations.
More pertinently speaking, kinetic art is a term that today most often refers to three-dimensional sculptures and figures such as mobiles that move naturally or are machine operated (see e. g. videos on this page of works of George Rickey and Uli Aschenborn). The moving parts are generally powered by wind, a motor [2] or the observer. Kinetic ...
Alexander "Sandy" Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
The moving parts offer a seemingly infinite number of variations without altering the sculpture's meaning (The Fall - Icarus, 1986). [1] Some of these were conceived as projects for monumental sculptures placed above the horizon in the landscape, [ 42 ] but external political circumstances did not allow him to realise his ideas. [ 2 ]
Can't Help Myself was a kinetic sculpture created by Sun Yuan and Peng Yu in 2016. [1] The sculpture consisted of a robotic arm that could move to sweep up red, cellulose ether fluid leaking from its inner core, and make dance-like movements. [2] It was commissioned by the Guggenheim museum as part of The Robert. H. N.
Roy's father was an aeronautical engineer working on jet engines, and as a boy he was interested in invention and science. In 1974, Roy received a degree in physics from Boston University and then got a job as a computer programmer for an insurance company until becoming a sculptor in 1975.
SCAM1 was the first automobile sculpture of the art history. Traditionally, sculptures were site-specific, immobile works of art. At the beginning of the 20th century, kinetic artists created sculptures with moving parts but these still remained in the same place.
Theo Jansen's kinetic sculpture Strandbeest. A wind-driven walking machine. A Strandbeest in action. Jansen's linkage is a planar leg mechanism designed by the kinetic sculptor Theo Jansen to generate a smooth walking motion. [1] Jansen has used his mechanism in a variety of kinetic sculptures which are known as Strandbeesten (Dutch for