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Jan van Eyck, Madonna in the Church (c. 1438–1440). Oil on oak panel, 31 cm × 14 cm (12 in × 5.5 in). Gemäldegalerie, Berlin. Madonna in the Church (or The Virgin in the Church) is a small oil panel by the early Netherlandish painter Jan van Eyck.
The Arnolfini Portrait, oil on oak, 1434. National Gallery, London. Jan van Eyck (/ v æ n ˈ aɪ k / van EYEK; Dutch: [ˈjɑɱ vɑn ˈɛik]; c. before 1390 – 9 July 1441) was a Flemish painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art.
The polyptych differs in a number of aspects from the other paintings attributed to Jan van Eyck, not least in scale. It is the only one of his works intended for public, rather than private, worship and display. [9] Van Eyck pays as much attention to the beauty of earthly things as to the religious themes.
The Virgin and Child with Canon van der Paele, 1434–1436.Oil on wood, 141 x 176.5 cm (including frame), 122 x 157 cm (excluding frame). Groeningemuseum, Bruges.. The Virgin and Child with Canon van der Paele is a large oil-on-oak panel painting completed around 1434–1436 by the Early Netherlandish painter Jan van Eyck.
Furthermore, the landscape details, which correlate to van Eyck's work of the period, combined with the return from pilgrimage late in the 1420s of the Adornes brothers (who may have commissioned the two paintings), suggest a completion date of about 1430. [55] Unknown miniaturist (Jan van Eyck?), The Agony in the Garden, c. 1440
Van Eyck was the first major European artist to utilize oil painting. Though the use of oil paint preceded Van Eyck by many centuries, his virtuosic handling and manipulation of oil paint, use of multiple half-transparent layers of paint, glazes, wet-on-wet and other techniques was such that Giorgio Vasari started the myth that Van Eyck had ...
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