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Repaired ceramic bowl from the National Museum of Vietnam History. A chemical compound that adheres or bonds items together, such as pieces of ceramic. In ceramic conservation there are several different types that range from natural to man-made adhesives. Conservators characterise the best adhesive as one which can be undone.
Ceramic glaze, or simply glaze, is a glassy coating on ceramics. It is used for decoration, to ensure the item is impermeable to liquids and to minimise the adherence of pollutants. [1] Glazing renders earthenware impermeable to water, sealing the inherent porosity of earthenware. It also gives a tougher surface.
Ceramic art can be created by one person or by a group, in a pottery or a ceramic factory with a group designing and manufacturing the artware. [ 1 ] In Britain and the United States, modern ceramics as an art took its inspiration in the early twentieth century from the Arts and Crafts movement, leading to the revival of pottery considered as a ...
Overglaze decoration, overglaze enamelling, or on-glaze decoration, is a method of decorating pottery, most often porcelain, where the coloured decoration is applied on top of the already fired and glazed surface, and then fixed in a second firing at a relatively low temperature, often in a muffle kiln. It is often described as producing ...
A multicolored print could be made using different blocks for different colors. For ceramics, the print was made onto duplex paper, with a thin layer of tissue paper facing a thicker layer of paper. A weak varnish was painted on the ceramic surface, which could be slightly curved, then the duplex paper pressed onto the surface.
In ceramics, craquelure in ceramic glazes, where it is often a desired effect, is called "crackle"; it is a characteristic of Chinese Ge ware in particular. This is usually differentiated from crazing , which is a glaze defect in firing, or the result of aging or damage.
Rio Grande Glaze Ware was first made about AD 1315 (based on tree-ring dating at Tijeras Pueblo). It partly displaced an earlier tradition of black-on-white pottery and was inspired by the White Mountain Red Ware tradition (Carlson 1970) centered on the upper Little Colorado drainage of eastern Arizona and western New Mexico.
When Glidden Pottery was in operation, its designs were recognized in museum exhibitions. Ceramic National exhibitions 1947, 1949, 1951, and 1952. Syracuse Museum of Fine Arts (now the Everson Museum). Purchase prize in 1949 for "best ceramic design suitable for mass production." [7] Good Design, September 22 – November 29, 1953, Museum of ...
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