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Lalita Sahasranama is said to have been composed by the eight vaag devis (Vasini, Kameshvari, Aruna, Vimala, Jayani, Modini, Sarveshvari, and Kaulini) upon the command of the goddess Lalita herself. The text says that "One can worship Lalita only if she wishes us to do so."
The battle between Lalita Tripura Sundari and the demon Bhandasura is primarily described in the Lalita Sahasranama, a sacred text from Hinduism that consists of a thousand names of Goddess Lalita. The Lalita Sahasranama is a part of the larger scripture called the Brahmanda Purana, specifically in the Uttara Khanda (the concluding section) of ...
"Soubhāgyabhāskara"is a commentary (bhāsya) on Lalita Sahasranama. [7] [8] This work was completed in 1728 AD. His Khadyota ("Firefly") commentary on the Ganesha Sahasranama is considered authoritative by Ganapatya. [9] The important events of Bhāskararāya's life is written by his disciple Jagannath Paṇḍitor Umānandnātha in ...
The Hanuman Sahasranama, is a Hanuman stotra told by Valmiki. Its origin is unknown, but it is often attributed to the deity Rama. [21] Tantrikas chant the Bhavani Nāma Sahasra Stuti and the Kali Sahasranāma. While the Vishnu and Shiva Sahasranāmas are popular amongst all Hindus, the Lalita Sahasranama is mostly
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The Lalita Sahasranama, a collection of 1,000 names of the Divine Mother, calls Varahi the destroyer of demon Visukaran. [14] In another context, Varahi, as Panchami, is identified with the wife of Sadashiva, the fifth Brahma, responsible for the regeneration of the Universe.
Tummalapalli Ramalingeswara Rao (7 February 1921 – 16 October 1991) was a Telugu poet, novelist, literary critic, philosophical journalist, writer of English prose and an exponent of Mantra Shastra and tradition.
Within the Hindu genre of Sahasranamas (literally, "thousand-name" hymns, extolling the names, deeds and associations of a given deity), the Sri Lalita Sahasranama Stotra, or "Hymn to the Thousand Names of the Auspicious Goddess Lalita", is "a veritable classic, widely acknowledged for its lucidity, clarity and poetic excellence." [43]