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  2. Harmonization - Wikipedia

    en.wikipedia.org/wiki/Harmonization

    The fourth degree in major may be substituted for a seventh chord to create a "bluesy" sound. In a progression going up a fourth, if the first chord is a minor seventh chord, it can also be substituted for a seventh chord; a relative second degree can also be added before it to create a ii–V–I turnaround. (A sole minor seventh or seventh ...

  3. Degree (music) - Wikipedia

    en.wikipedia.org/wiki/Degree_(music)

    In music theory, the scale degree is the position of a particular note on a scale [1] relative to the tonic—the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of intervals and chords and whether an interval is major or minor .

  4. Harmonic major scale - Wikipedia

    en.wikipedia.org/wiki/Harmonic_major_scale

    The harmonic major scale has its own set of modes, distinct from the harmonic minor, melodic minor, and major modes, depending on which note serves as the tonic.Below are the mode names, their degrees, and the following seventh chords that can be built using each modal tonic or degree of the parent mode as the root: a major seventh chord, a half-diminished seventh chord, a minor seventh chord ...

  5. Berklee method - Wikipedia

    en.wikipedia.org/wiki/Berklee_method

    For example, Berklee Music Theory - Book 2 recommends the following accompaniment for a given lead sheet, [2] while this progression does not occur in common practice theory since all the chords are seventh chords and unprepared dissonant. Accompaniment acceptable in the Berklee method [2] but not in common practice theory. Play ⓘ

  6. Function (music) - Wikipedia

    en.wikipedia.org/wiki/Function_(music)

    The concept of harmonic function originates in theories about just intonation.It was realized that three perfect major triads, distant from each other by a perfect fifth, produced the seven degrees of the major scale in one of the possible forms of just intonation: for instance, the triads F–A–C, C–E–G and G–B–D (subdominant, tonic, and dominant respectively) produce the seven ...

  7. Voicing (music) - Wikipedia

    en.wikipedia.org/wiki/Voicing_(music)

    1st ⓘ, [1] 2nd ⓘ, [2] 3rd ⓘ, [3] 4th ⓘ, 5th ⓘ [4] and 6th ⓘ [4] In music theory, voicing refers to two closely related concepts: How a musician or group distributes, or spaces, notes and chords on one or more instruments; The simultaneous vertical placement of notes in relation to each other; [5] this relates to the concepts of ...

  8. Major third - Wikipedia

    en.wikipedia.org/wiki/Major_third

    Just major third. Pythagorean major third, i.e. a ditone Comparison, in cents, of intervals at or near a major third Harmonic series, partials 1–5, numbered Play ⓘ.. In music theory, a third is a musical interval encompassing three staff positions (see Interval number for more details), and the major third (Play ⓘ) is a third spanning four half steps or two whole steps. [1]

  9. Music theory - Wikipedia

    en.wikipedia.org/wiki/Music_theory

    The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...