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The following is a list of Bravia television products manufactured by Sony. In 2005 they discontinued their previous "WEGA LCD" line, and all Sony televisions are now known as Sony Bravia. Starting in 2013, the model year is encoded in a letter of the alphabet, so all 2015 models have a letter "C" in their name.
Original file (1,239 × 1,754 pixels, file size: 444 KB, MIME type: application/pdf, 4 pages) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
The KV-25XBR, circa 1985, is a 25" CRT monitor that shipped with two external 2-way speakers that could hang on the sides of the TV. It features a 4:3 aspect ratio and standard definition. KV-36XBR series (1990s to early 2000s) - 4:3 CRT with more than standard definition but less than high definition resolution, also available in 32" and 40 ...
The below distinguish SAR (aspect ratio of pixel dimensions), DAR (aspect ratio of displayed image dimensions), and the corresponding PAR (aspect ratio of individual pixels), though it currently contains some errors (inconsistencies), as flagged.
Part of the Sony HDVS early HDTV. Displays 220-350-inch diagonally, stackable with HDIT-3000W Projection Head Stand, peak white 300 lumens, all white:260 lumens VPH-1270Q [ 39 ]
Sony Sports Watchman Sony MEGA Watchman. The Sony Watchman is a line of portable pocket televisions trademarked and produced by Sony. The line was introduced in 1982 [1] and discontinued in 2000. Its name came from a portmanteau formed of "Watch" (watching television) and "man" from Sony's Walkman personal cassette audio players. There were ...
The first commercial displays capable of this resolution include an 82-inch LCD TV revealed by Samsung in early 2008, [45] the Sony SRM-L560, a 56-inch LCD reference monitor announced in October 2009, [46] an 84-inch display demonstrated by LG in mid-2010, [47] and a 27.84-inch 158 PPI 4K IPS monitor for medical purposes launched by Innolux in ...
A 1997 study, which hypothesized that increases in screen size would give rise to increased feelings of presence, found that the content was more important than the screen size. The findings were that for commercials , action-adventure and reality programming an increase in the feeling of presence did correlate with increased size.