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In a figure / ground ambigram, letters fit together so the negative space around and between one word spells another word. [42] In Gestalt psychology, figure–ground perception is known as identifying a figure from the background. For example, black words on a printed paper are seen as the "figure", and the white sheet as the "background".
A peripety is the change of the kind described from one state of things within the play to its opposite, and that too in the way we are saying, in the probable or necessary sequence of events. There is often no element like Peripeteia; it can bring forth or result in terror, mercy, or in comedies it can bring a smile or it can bring forth tears ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Antiphrasis is the rhetorical device of saying the opposite of what is actually meant in such a way that it is obvious what the true intention is. [1] Some authors treat and use antiphrasis just as irony, euphemism or litotes. [2] When the antiphrasal use is very common, the word can become an auto-antonym, [3] having opposite meanings ...
In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started. [ 4 ] In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". [ 5 ]
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
From this, each downward reaching interval is replicated exactly in the opposite direction. For example, a G ♯ 3—13 half-steps down from A4 is replicated as a B ♭ 5—13 half-steps above. Just as the letters of a verbal palindrome are not reversed, so are the elements of a musical palindrome usually presented in the same form in both halves.
Author and historian Paul Fussell in a book in which he never uses the word 'volta' talks generally of the poetic turn as "indispensable". [6] He states further that "the turn is the dramatic and climactic center of the poem, the place where the intellectual or emotional method of release first becomes clear and possible.