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Siddharth Mohan (20 November 1984) is an Indian devotional singer and composer. He devoted most of his career to singing devotional songs.As a Bhajan singer, he recorded albums such as SHUKRANA, NITHYA, SHIVANSH.
Swami Haridhos Giri (also Haridas Giri), affectionately called Guruji, was born in the month of Margazhi (December-January) in the Tamil calendar with the birth star of Utharattathi. Giri was born in the village of Thennangur, Tamil Nadu, South India. Haridhos Giri built the Panduranga Temple, dedicated to Vitthala, a manifestation of the deity ...
Nirmal Singh was born on 7 July 1952 in the Dugri village of Punjab. [1] He spent a lot of time at the dera of Sant Sewa Das at Dugri. According to his followers, he displayed miraculous powers during his childhood, such as the ability to fill inkpots of fellow students by just touching them with his fingers, and the ability to escape from a locked room when his parents attempted to prevent ...
Amṛtānandamayī has recorded more than 1,000 bhajans, or devotional songs, in 35 languages. [35] She has also composed dozens of bhajans and set them to traditional ragas. Regarding devotional singing as a spiritual practice, Amṛtānandamayī says, "If the bhajan is sung with one-pointedness, it is beneficial for the singer, the listeners ...
Hariharan Anantha Subramani (born 3 April 1955) is an Indian playback, bhajan and ghazal singer who predominantly sings in Tamil, Malayalam, Hindi, Kannada and Telugu languages. He has also sung over 15,000 notable songs in 10+ languages including Marathi , Sinhala , Maithili , Bhojpuri , Odia , Bengali , Sanskrit , Gujarati and English .
Guru Jambheshwar (1451–1536) Gurumayi Chidvilasananda [13] (born 24 June 1955) Hans Ji Maharaj (8 November 1900 – 18 July 1966) Haridasa Thakur [14] [15] (born 1451 or 1450) Hariharananda Giri (Paramahamsa Hariharananda) (27 May 1907 – 3 December 2002) Isaignaniyar (c. 7th century), Tamil literature
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A bhajan is freer, and can be a single melody performed by a single singer with or without musical instruments. Kirtan , in contrast, is generally a group performance, typically with a call and response or antiphonal musical structure, similar to an intimate conversation or gentle sharing of ideas.