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Hecuba (Ancient Greek: Ἑκάβη, Hekabē) is a tragedy by Euripides, written c. 424 BC.It takes place after the Trojan War but before the Greeks have departed Troy (roughly the same time as The Trojan Women, another play by Euripides).
Cyclops (Ancient Greek: Κύκλωψ, Kyklōps) is an ancient Greek satyr play by Euripides, based closely on an episode from the Odyssey. [1] It is likely to have been the fourth part of a tetralogy presented by Euripides in a dramatic festival in 5th Century BC Athens, although its intended and actual performance contexts are unknown. [2]
Euripides, Orestes, Oxford, MS. Barocci 120, fol. 32r (early 14th century) Aeschylus' play Eumenides, the third part of his surviving Oresteia trilogy, enshrines the trial and acquittal of Orestes within the foundation of Athens itself, as a moment when legal deliberation surpassed blood vengeance as a means of resolution. As such, the fact ...
The population of Plataea came to Athens as suppliants after the destruction of their city in 427 BC, a few years before the performance of this play. They were allowed to stay in Athens and, exceptionally, they were granted Athenian citizenship. This event may have influenced the play and its reception. [3]
Euripides has been hailed as a great lyric poet. [66] In Medea, for example, he composed for his city, Athens, "the noblest of her songs of praise". [67] His lyrical skills are not just confined to individual poems: "A play of Euripides is a musical whole...one song echoes motifs from the preceding song, while introducing new ones."
Conacher explores how Euripides expanded the myth of Admetus and Alcestis, and added elements of comedy and folk tales. Beye also discusses legendary and fairy tale aspects of the play. [citation needed] Alcestis is also a popular text for women's studies. Critics have indicated that the play's central focus is Admetus rather than Alcestis.
In the 4th century BC, South-Italian vase painting offers a number of Medea representations that are connected to Euripides' play — the most famous is a krater in Munich. However, these representations always differ considerably from the plots of the play or are too general to support any direct link to Euripides' play.
The play was first produced for the City Dionysia of Athens in 428 BC and won first prize as part of a trilogy. The text is extant. [1] Euripides first treated the myth in a previous play, Hippolytos Kalyptomenos (Ἱππόλυτος καλυπτόμενος – Hippolytus Veiled), which is lost, and survives only in fragments. What is known of ...