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The Kimbell seated Bodhisattva belongs to a type known as the "Kapardin" statue of the Buddha, characterized by a "Kapardin" coil of hair on the top of the head. The top of the statue was broken, and a full decorated aureola with flying attendants initially stood behind the image of the Buddha. [8]
The Gilt-bronze Maitreya in Meditation is a gilt-bronze statue of what is believed to be the Maitreya, the future Buddha, in a semi-seated contemplative pose. It is commonly referred to as the Contemplative Bodhisattva, Pensive Bodhisattva, or Gilt-Bronze Seated Maitreya in English. In Korean it is frequently referred to as pan'gasayusang.
The full gown worn by the Buddha on the coins, covering both shoulders, suggests a Gandharan model rather than a Mathuran one, and the style is clearly Hellenistic. Kanishka also issued other types of Buddhist coinage, representation a "Shakyamuni Buddha" standing and walking, as well as a seated "Maitreya Buddha".
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The Gilt-bronze Maitreya in Meditation is a gilt-bronze statue of Maitreya seated in meditation and is one of the best known and most highly regarded Korean Buddhist sculptures. [1] Now part of the collection of the National Museum of Korea, it was designated as the 78th national treasure of Korea. [2] The statue is 83.2 centimeters in height.
The Seated Buddha from Gandhara is an early surviving statue of the Buddha discovered at the site of Jamal Garhi in ancient Gandhara in modern-day Pakistan, that dates to the 2nd or 3rd century AD during the Kushan Empire. Statues of the "enlightened one" were not made until the 1st century CE.
[12] [13] Another has an attendant reminding the portrait of Alexander the Great. [14] [15] Boardman suggested that the sculpture in the area might be an "incipient Buddhist sculpture in Indo-Greek style". [16] Figures of Herakles-Vajrapani with thunderbolt, and Tyche-Hariti with cornucopia, flanking a Buddha at Tapa Shotor, Hadda, 2nd century CE.
It is believed that this Bodhisattva was the left attendant Bodhisattva of the triad. The tall ornate crown, oblong face and drapery with cascading folds of the statue indicate that the statue was probably produced in a Buddhist sculpture school in South Jeolla province , Korea . [ 1 ]
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