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Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Oscar-Claude Monet (UK: / ˈ m ɒ n eɪ /, US: / m oʊ ˈ n eɪ, m ə ˈ-/; French: [klod mɔnɛ]; 14 November 1840 – 5 December 1926) was a French painter and founder of Impressionism painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. [1]
Frank W. Benson, Eleanor Holding a Shell, North Haven, Maine, 1902, private collection. American Impressionism was a style of painting related to European Impressionism and practiced by American artists in the United States from the mid-nineteenth century through the beginning of the twentieth. [1]
The Amarillo showing of the traveling exhibit is the second in the U.S. after its European run, and it features works by Van Gogh, Monet and more.
Impressionism which began as a private association of Paris-based artists who exhibited publicly in 1874. The movement was named after Claude Monet's Impression, Sunrise (Impression, soleil levant) (1872/1873); the term being coined by critic Louis Leroy. Impressionism is also a movement in music and a literary tendency
Théodore Duret wrote that rendering idealized impressions instead of landscapes is what epitomises Monet's work and the impressionist movement. Considering Impression, Sunrise and Monet's work following the 1874 exhibition, Duret wrote "it is certainly the peculiar qualities of Claude Monet's paintings which first suggested [the term ...
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