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Lorenzo Bartolini, (Italian, 1777–1850), La Table aux Amours (The Demidoff Table), Metropolitan Museum of Art, New York City, Marble sculpture. Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before ...
Then, as the bronze cools, it shrinks a little, making it easier to separate from the mould. [1] Their strength and ductility (lack of brittleness) is an advantage when figures in action poses are to be created, especially when compared to various ceramic or stone materials (such as marble sculpture).
A marble sculpture bought for $6 and used as a doorstep could be about to make a fortune. The bust, made by French sculptor Edmé Bouchardon, could make over $3 million at auction after a local ...
Originally produced in 1890 in marble, bronze casts of Danaid began to be produced in 1891 and are in collections in France as well as the Museo Soumaya in Mexico City. [1]A more modern casting can be found in the permanent collection of the Peoria Riverfront Museum, in Peoria, Illinois, US, a gift of preeminent Rodin collector B. Gerald Cantor in honor of Carlotta and Gary Bielfeldt in 1987.
The bronze cast of David in Piazzale Michelangelo, Florence, is flanked by casts of the reclining figures in the Medici Chapel. [4]A plaster cast copy in the Cast Courts at the Victoria and Albert Museum in London was intended for the education of art students, and had a detachable fig leaf, used for added modesty during visits by Queen Victoria and other important ladies, when it was hung on ...
1920 v – Human Archer – bronze spelter-patiented ivoir color, mounted on a black marble and green, metal nickel, Signed at the base dimensions: 45.1 cm × 21 cm × 6.5 cm, weight: 14 kg (for sale on the net in 2011)
Natural marble. By the classical period, roughly the 5th and 4th centuries BC, monumental sculpture was composed almost entirely of marble or bronze; with cast bronze becoming the favoured medium for major works by the early 5th century BC; many pieces of sculpture known only in marble copies made for the Roman market were originally made in bronze.
The marble therefore becomes a material of strength, a structural material, rather than one that engages in the illusion of weightlessness — in this way it is a different approach to Chromy's works in bronze which, like the sculptures of Ancient Greece, appear to defy gravitational forces by capturing the dynamism of the human body, [13] many ...
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