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Ferdinand Victor Eugène Delacroix (/ ... His legitimate father, Charles Delacroix, died in 1805, and his mother in 1814, leaving 16-year-old Eugène an orphan.
The Execution of the Doge Marino Faliero is an oil painting on canvas completed in 1826 by the French Romantic artist Eugène Delacroix, inspired by the 1821 play Marino Faliero, Doge of Venice by Lord Byron, which in turn was based upon events in the life of the Venetian Doge Marino Faliero (1274–1355). [1]
The museum is located in painter Eugène Delacroix's last apartment; he moved to this location on December 28, 1857, and remained until his death on August 13, 1863. In 1929, the Société des Amis d'Eugène Delacroix was formed to prevent the building's destruction; in 1952, the Société acquired the apartment, studio, and garden, and in 1954 donated the property to the French government.
Liberty Leading the People by Eugène Delacroix. The Salon of 1831 was an art exhibition held at the Louvre in Paris between June and August 1831. [1] It was the first Salon during the July Monarchy and the first to be held since the Salon of 1827, as a planned exhibition of 1830 was cancelled due to the French Revolution of 1830.
Homage to Delacroix is an 1864 painting by Henri Fantin-Latour painted in homage to the French Romantic painter Eugène Delacroix who died the year before. The work features a group of painters and writers, all of whom went on to become notable themselves, gathered around a portrait of the late Delacroix.
Eugène Delacroix, Massacre at Chios, 1824, 419 cm × 354 cm, Louvre. This painting springs directly from Géricault's The Raft of the Medusa and was painted in 1824, the year Géricault died. [ 91 ]
Henriette de Verninac (1780–1827) was the daughter of Charles-François Delacroix, minister of Foreign Affairs under the Directory, and wife of the diplomat Raymond de Verninac Saint-Maur. She is known as the subject of a portrait by Jacques-Louis David .
By the time Delacroix painted Liberty Leading the People, he was already the acknowledged leader of the Romantic school in French painting. [4] Delacroix, who was born as the Age of Enlightenment was giving way to the ideas and style of romanticism, rejected the emphasis on precise drawing that characterised the academic art of his time, and instead gave a new prominence to freely brushed colour.