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A number of companies make combination preamplifier-DI units for electric bass, double bass, or for acoustic instruments which use piezoelectric pickups (e.g., a violin, acoustic guitar, mandolin, etc.). These units may be housed in a "stompbox" pedal format, in a small rackmount unit (often less than a full rack space), or in units designed to ...
Blackstar produces guitar pedals for boost, overdrive, distortion, distx, modulation, reverb, delay, dual and metal. Some of the pedals incorporate valves (tubes) in the electronics, the drive pedals incorporate Blackstars ISF feature. Like the HT-5, some of the pedals have an emulated speaker output for direct recording. [11]
In 1980 Larry Fishman made a prototype acoustic pickup in his basement, and by 1981 he had taken orders for pickups from the Guild Guitar Company.In 1982 the C.F. Martin Guitar Company ordered Fishman pickups; to accommodate it, Fishman and his company rented a larger manufacturing space, and began designing and making pickups for banjos, mandolins, violins, cellos and basses as well.
SG-175B (1996, Yamaha Electric Guitars 30th Anniversary, with Buddha inlay replicated from Carlos Santana model) SG-25S / SG-25T (1991 by Yamaha custom shop, Yamaha Electric Guitars 25th Anniversary, based on SG-3000, S = pearl inlay on the body (hummingbird and floral), T = Takanaka model (tremolo and HSH pickups)) SG-200 (1978) Yuri Kasparyan ...
The use of distortion pedals was popularized by Keith Richard's use of a Maestro FZ-1 Fuzz-Tone pedal on the 1965 Rolling Stones song "(I Can't Get No) Satisfaction". [1] [2] Later pedals like the Pro Co Rat and Ibanez Tube Screamer have achieved iconic status among guitarists and are a key element in many players' tones. Industry publications ...
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
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This can be used on guitars with flatwound strings for a mellow jazz sound or roundwound strings for a vintage style light distortion. In pedal systems with multiple drive pedals, HB can be connected last to soften the response and even give a low mid-range hump to bright amplifiers and provide a ceiling-effect for the upper treble frequencies. [7]
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