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50 Great Voices was an NPR yearlong series from 2010 to 2011 to profile 50 singers who have made their mark internationally and across recorded history, revealing the selected voices one by one, weekly.
The contralto voice has the lowest tessitura of the female voices and is noted for its rich and deep vocal timbre. [2] True operatic contraltos are very rare. [3] The following is a list of contralto singers who have regularly performed unamplified classical or operatic music in concert halls and/or opera houses. [4]
The term baritone was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice. For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization.
These are just some of the Black gospel artists shaping the genre with powerful voices and unwavering faith, from legends to rising stars. For generations, gospel music has been a vital source of ...
The mezzo-soprano voice (unlike the soprano voice) is strong in the middle register and weaker in the head register, resulting in a deeper tone than the soprano voice. [ 2 ] The term mezzo-soprano was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the ...
Dame Shirley Veronica Bassey (/ ˈ b æ s i /; born 8 January 1937 [1]) is a Welsh singer. Known for her career longevity, powerful voice and recording the theme songs to three James Bond films, the only artist to perform more than one, Bassey is one of the most popular vocalists in Britain. [2] [3] Born in Cardiff, Bassey began performing as a ...
Bernice Johnson Reagon, a musician and scholar who used her rich, powerful contralto voice in the service of the American Civil Rights Movement and human rights struggles around the world, died on ...
The term soprano was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice. For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization.