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The Jazz Chorus is one of the most famous and successful combo amplifiers from its period and its earliest users included Albert King, Andy Summers (), Chuck Hammer (), Larry Coryell, Robert Smith (of The Cure, although he used the rarer 160 Watt JC-160 with 4 x 10" speakers), Billy Duffy (The Cult, Theatre of Hate), Roger Hodgson of Supertramp, Joe Strummer, John Sebastian of The Lovin ...
Roland also produced a rackmount synthesizer similar to the JX-3P, the MKS-30 Planet-S. [5] Unlike the JX-3P, the MKS-30 would respond to velocity (dynamics) via MIDI, and can receive MIDI notes while simultaneously working with the PG-200 programmer. There is an EPROM version available at Roland, which enables MIDI reception of note velocity. [6]
The Roland CompuRhythm CR-78 is a drum machine manufactured by Roland Corporation that was released in 1978. [1] Although primitive by later standards, the CR-78 represented an important advance in drum machine technology at the time, in particular by allowing users to program and store their own drum patterns.
The company was also manufacturing effects pedals, introducing the RE-201 Space Echo in 1974, and expanding into guitar amplifiers the following year with the JC-60 and JC-120 Jazz Chorus, whose chorus circuit would become the first Boss Corporation product, the CE-1 Chorus Ensemble, the following year.
The Roland MKS-20 is a digital piano–type sound module released by Roland Corporation in 1986, simultaneously with the Roland RD-1000 digital stage piano.The MKS-20 and RD-1000 share the same "Structured/Adaptive Synthesis" sound engine; the RD-1000 integrates that engine into a musical keyboard-type MIDI controller with size, weight, and features similar to the Roland MKB-1000.
Roland JX-8P is a 61-key, velocity- and aftertouch-sensitive, six-note polyphonic, almost entirely analog synthesizer released by Roland in 1985. In a time of rising popularity of digital frequency modulation synthesizers, such as Yamaha DX7, JX-8P was marketed as the best of both worlds: while it was possible to create classic analog synth sounds, several new modulation parameters and ...
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The Roland MC-505 is a groovebox conceived in 1998 as a combination of a MIDI controller, a music sequencer, a drum machine, and a desktop synthesizer with many synthesis features: arpeggiator, oscillators, and voltage-controlled filter, control of attack, decay, sustain and release, different envelopes and 2 Lfo.