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Other techniques include pouring the glaze over the piece, spraying it onto the piece with an airbrush or similar tool, or applying it directly with a tool such as a brush. Though mostly obsolete, salt glaze pottery is another form of glazing. Dry-dusting a mixture over the surface of the clay body or inserting salt or soda into the kiln at ...
In French faience, the in-glaze technique is known as grand feu ("big fire") and the one using enamels as petit feu ("little fire"). [4] Most styles in this group, such as Delftware, mostly used blue and white pottery decoration, but Italian maiolica was fully polychrome, using the range of in- and underglaze colours available.
Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen.
Tin-glazing is the process of giving tin-glazed pottery items a ceramic glaze that is white, glossy and opaque, which is normally applied to red or buff earthenware. Tin-glaze is plain lead glaze with a small amount of tin oxide added. [1] The opacity and whiteness of tin glaze encourage its frequent decoration.
A western vase glazed and fired using the western raku technique, showing the soot, crackle glazing, and random reduction-oxidation typical of this pottery technique. The type and the size of kilns that are used in raku are crucial in the outcome. One aspect that can affect the results is the use of electric versus gas kilns.
The pottery from Muslim Spain is known as Hispano-Moresque ware. The decorated tin-glaze of Renaissance Italy is called maiolica, sometimes pronounced and spelt majolica by English speakers and authors. When the technique was taken up in the Netherlands, it became known as delftware as much of it was made in the town of Delft.
Yūri-kinsai is a complicated under look technique. It uses two kinds of gold leaf that consists of one thick and one thin layer. Before firing and glazing the vessel, the leaves are cut or carved into the desired shapes and then applied to the lacquered surface. The leather is then covered in clear glaze and fired at controlled, low ...
Inlaying techniques reach its height and opens a second zenith of Goryeo celadon. Other types of porcelain develop as whitening, iron oxide glaze, copper oxide glaze came in use. With the decrease of Chinese influence, Goryeo celadon acquires a more native shape, in unique patterns and decorative shapes. [14]
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