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Bağlama (pronounced [baːɫaˈma]) is derived from the Turkish word bağlamak meaning "to tie". Used notably in Azerbaijan, the alternative name, Saz (Persian: ساز, romanized: sāz) means "musical instrument", derived from a Persian verb that means "to make, to compose".
Saz was a style of vegetal ornament popular in Ottoman decorative arts of the 16th century CE, characterized by the use of long, feathery sawtoothed leaves and composite blossoms. [4] At the same time, saz is also used as a name for the art style, in which saz ornament was basic element of the compositions. [5]
Saz or SAZ may refer to: . Sarah (given name), nickname Saz Saz, Iran, a village in Kermanshah Province, Iran; Saz, Kaynaşlı; Saz style, a serrated leaf pattern used in Ottoman art and pottery
kozeh (saz) کوزه (ساز) Used in the music of Bandar Abbas, Iran and some other cities in southern Iran Kozeh. Instrument made from imitation of Udu from Africa. Kastan قاشقک (ساز) two bowl or shell-shaped finger-clappers that dancers wear on their fingers, clapped together rhythmically while dancing. Wooden kastan, shaped like ...
Bağlama (saz) Mastering in playing saz is the essential requirement for an ashik. This instrument, a variant of which is known as Bağlama, is a stringed musical instrument and belongs to the family of long-necked lutes. [22] Often performances of ashiks are accompanied by an ensemble of balaban [23] and qaval performers.
Bağlama, Saz, Tanbura, Çöğür Turkey See Bağlama: Baglamas: 6 strings 3 courses. D 4 D 5 •A 4 A 4 •D 5 D 5: Baglama, Baglama Saz, Baglamadaki Greece Standard aka "Modal D" Bajo quinto: 10 strings 5 courses. A 2 A 1 •D 3 D 2 •G 2 G 2 •C 3 C 3 •F 3 F 3: Mexico
The folklore of Turkey is extremely diverse. Nevertheless, Turkish folk music is dominantly marked by a single musical instrument called saz or bağlama, a type of long-necked lute. Traditionally, saz is played solely by traveling musicians known as ozan or religious Alevi troubadours called aşık. [21]
In Ottoman art the large and feathery leaves called saz became very popular, and were elaborated in drawings showing just one or more large leaves. Eventually floral decoration mostly derived from Chinese styles, especially those of Chinese porcelain , replaces the arabesque in many types of work, such as pottery, textiles and miniatures.