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"Ganymed" is a poem by Johann Wolfgang von Goethe, in which the character of the mythic youth Ganymede is seduced by God (or Zeus) through the beauty of Spring. In early editions of the Collected Works it appeared in Volume II of Goethe's poems in a section of Vermischte Gedichte (assorted poems), shortly following the " Gesang der Geister ...
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The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Ganymede is the name of a sculpture on the Bürkliterrasse, [1] Zurich's Front Row Seat by the Lake, located on Bürkliplatz, a popular square on Lake Zurich. It is the central eye-catcher of the square, which was completed in 1887, with the Alpine panorama towering on the horizon.
During much of the winter of 2022-2023, except for the Arctic outbreak around Christmastime, cold air has generally been locked ou March is here, but winter weather may ramp up in Midwest and ...
The Ganymede Club is a 1995 science fiction novel by American writer Charles Sheffield. A mystery and a thriller, [1] the story unravels in the same universe that Sheffield imagined in Cold as Ice. [2] Shortly after humanity begins colonisation of the Solar System, a trade war sets off vicious civil war that kills billions. [3]
It is based on Matthew Pryor's poetic reworking of an ancient myth about how Ganymede beat Cupid at dice, with the stakes being Cupid's arrows, an attribute of his divine power, and shows Cupid being chastised by his mother Venus. The work and Kauffman's Jupiter and Callisto and Orpheus and Eurydice were engraved by Thomas Burke in 1784. [2]
The song's title is borrowed from a hymn that was popular in the nineteenth century American South with fasola singers. “Gethsemane”, written by English clergyman Thomas Haweis in 1792, begins with the lines “Dark was the night, cold was the ground / on which my Lord was laid.” [3] Music historian Mark Humphrey describes Johnson's composition as an impressionistic rendition of ...