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The Go-Between is a novel by L. P. Hartley published in 1953. His best-known work, it has been adapted several times for stage and screen. The book gives a critical view of society at the end of the Victorian era through the eyes of a naïve schoolboy outsider.
The following is the list of 244 poems attributed to Philip Larkin. Untitled poems are identified by their first lines and marked with an ellipsis.Completion dates are in the YYYY-MM-DD format, and are tagged "(best known date)" if the date is not definitive.
We Real Cool" is a poem written in 1959 by poet Gwendolyn Brooks and published in her 1960 book The Bean Eaters, her third collection of poetry. The poem has been featured on broadsides, re-printed in literature textbooks and is widely studied in literature classes. It is cited as "one of the most celebrated examples of jazz poetry". [1] [2] [3]
Olio is a book of poetry written by Tyehimba Jess that was released in 2016. [1] The book is split into 16 sections, 14 of which are poems with the introduction section and extras and acknowledgments acting as the beginning and ending sections, and illustrated by Jessica Lynne Brown. Olio won the 2017 Pulitzer Prize for Poetry. [2]
In a 1981 interview with Frank Kinahan, Heaney said Field Work "was an attempt to try to do something deliberately: to change the note and to lengthen the line, and to bring elements of my social self, elements of my usual nature, which is more convivial than most of the poems before that might suggest, to try to bring all that into play. [3]
Frost composed the poem at his farm in Derry, New Hampshire; his home from 1901 to 1911 "Mending Wall" is a poem by Robert Frost.It opens Robert's second collection of poetry, North of Boston, [1] published in 1914 by David Nutt, and has become "one of the most anthologized and analyzed poems in modern literature".
The poems show a necessary change in ideologies to achieve the common language. [2] The section, "Twenty-one Love Poems," is a group of lesbian love poems that aim to present the power of love between two women and the need to change the cultural values that do not recognize this as a kind of love. The love poems comment on how women involved ...
Spring and All is a hybrid work consisting of alternating sections of prose and free verse.It might best be understood as a manifesto of the imagination. The prose passages are a dramatic, energetic and often cryptic series of statements about the ways in which language can be renewed in such a way that it does not describe the world but recreates it.