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North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
An example of a historical beaded Absáalooke (Crow) quiver, c.1800. Not Afraid is self-taught. [5] He began making beaded jewelry when he was twelve years old and living in Lodge Grass. He taught himself how to bead using two needles by reverse engineering the beadwork on a pair of leggings his great-grandmother, Joy Yellowtail, had made. Not ...
The name is the word for shell bead in the Eastern Keresan language of the Santo Domingo Indians. [ 2 ] The oldest specimens of heishe date back to around 6000 BCE, although the same technique was used in northern Africa 30,000 years ago, using ostrich eggshell.
Kandi bracelets have kandi-specific terms to describe them. [3] Stitch is an umbrella term regarding the specific types of kandi; the three most common stitches are multistitch (even tubular peyote stitch), flat peyote stitch (even and odd), and x base. [3] Cuffs are any form of kandi bracelet that uses multiple rows of beads. [3]
Beaded jewellery commonly encompasses necklaces, bracelets, earrings, belts and rings. Beads may be large or small; the smallest type of beads used are known as seed beads, these are the beads used for the "woven" style of beaded jewellery. Seed beads are also used in an embroidery technique where they are sewn onto fabric backings to create ...
Miriam Haskell (July 2, 1899 – July 14, 1981) was an American designer of costume jewelry. With creative partner Frank Hess, she designed affordable pieces from 1920 through the 1960s. Her vintage items are eagerly collected and the namesake company, which first displayed her jewelry in New York City's McAlpin Hotel, continues.
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