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"Papa Was a Rollin' Stone" is a song originally performed by Motown recording act the Undisputed Truth in 1972, though it became much better known after a Grammy-award winning cover by the Temptations was issued later the same year. This latter version of the song became a number-one hit on the Billboard Hot 100.
"Sympathy for the Devil" is a song by English rock band the Rolling Stones. The song was written by Mick Jagger and credited to the Jagger–Richards partnership. It is the opening track on the band's 1968 album Beggars Banquet. The song has received critical acclaim and features on Rolling Stone magazine's "The 500 Greatest Songs of All Time ...
Retrieved from "https://en.wikipedia.org/w/index.php?title=Papa_Was_a_Rolling_Stone&oldid=528586118"
William "Benny" Benjamin (July 25, 1925 – April 20, 1969), [1] [a] nicknamed Papa Zita, [4] was an American musician, most notable as the primary drummer for the Motown Records studio band The Funk Brothers. [5] He was inducted into the Rock and Roll Hall of Fame in 2003 and was named the eleventh best drummer of all time by Rolling Stone ...
"Biggest Mistake" is a song by the English rock band the Rolling Stones from their 2005 album A Bigger Bang. It was released on 21 August 2006 as the third single from the album, and reached number 51 in the UK Singles Chart.
"Rip This Joint" is the second song on the Rolling Stones' classic 1972 album Exile on Main St. Written by Mick Jagger and Keith Richards, "Rip This Joint" is one of the fastest songs in the Stones' catalogue, with a pronounced rockabilly feel. Jagger's breakneck delivery of the song's lines spells out a rambling tale set across America from ...
Composing the film's main narrative thread are several long, uninterrupted shots of the Rolling Stones in London's Olympic Studios, recording and re-recording various parts to "Sympathy for the Devil". The dissolution of Stone Brian Jones is vividly portrayed, and the chaos of 1968 is made clear when a line referring to the killing of John F ...
Tom Maginnis of Allmusic said of the song that it "can only be viewed as mediocre by the Stones' impossibly high standards by this point." [1] Bud Scoppa of Rolling Stone was more critical, calling the song "hopelessly silly" as well as "the weakest opener ever so positioned on one of their albums, and they’ve never performed with less conviction."