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Parklife is the third studio album by the English rock band Blur, released on 25 April 1994, by Food Records.After moderate sales for their previous album Modern Life Is Rubbish (1993), Parklife returned Blur to prominence in the UK, helped by its four hit singles: "Girls & Boys", "To the End", the title track and "End of a Century".
List of compilation albums, with selected chart positions and certifications Title Album details Peak chart positions UK [1] GER [5] JPN [6] The Brit Pop Blur Box: Released: 1994 (Australia) Format: CD box set — — — The 10 Year Limited Edition Anniversary Box Set [56] Released: 6 September 1999 (UK) [56] Label: Food; Format: CD box set ...
[35] [36] Blur won four awards at the 1995 Brit Awards, including Best Band and Best Album for Parklife. [37] Coxon later pointed to Parklife as the moment when "[Blur] went from being regarded as an alternative, left field arty band to this amazing new pop sensation". [38] Blur began working on their fourth album The Great Escape at the start ...
Classic Reviews: Blur, Parklife. Blur’s 10 Greatest Live Performances. Blur’s ninth album, The Ballad of Darren, is out today, and the band’s landmark sophomore album Modern Life Is Rubbish ...
That all changed with the April 1994 release of its third album, Parklife, which sold millions of copies in the U.K. It generated four singles and ushered […] Blur’s Parklife: Track By Track
"Parklife" is a song by the English rock band Blur, released in August 1994 by Food and Parlophone as the third single from the band's third studio album, Parklife (1994). The song contains spoken-word verses by the actor Phil Daniels , who also appears in the music video, which was directed by Pedro Romhanyi.
"Girls & Boys" is a song by English Britpop band Blur, released in March 1994 by Food Records as the lead single from the group's third studio album, Parklife (1994). The frontman of Blur, Damon Albarn wrote the song's lyrics with bandmembers Graham Coxon , Alex James and Dave Rowntree , while Stephen Street produced it.
From the Madchester-influenced sound of its 1991 debut Leisure to its ascent as heroes of the Britpop era on 1994’s Parklife and a scrappy indie rock makeover on their self-titled 1997 album ...